13,198 Free Images of Hand Colored

yale center for british arthand-coloredetchings in the yale center for british artetchingjames gillrayaquatint prints in the yale center for british artaquatintisaac cruikshankpaperromanticism
Royal Sport, Pit Ticket, William Hogarth, 1759
engravings in the yale center for british artrealism
A Sun Setting in a Fog, With The Old Hanover Hack Descending, James Gillray, 1783
etchings in the yale center for british artjames gillray
John Bull at His Studies. Attended by His Guardian Angell, James Gillray, 1799
etchings in the yale center for british artjames gillray
Swearing to the Cutting Monster or - A Scene in Bow Street, James Gillray, 1790
etchings in the yale center for british artjames gillray
Close Shaveing, or The Will Our Own Way, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
John Bull Humbugg'd alias Both-ear'd, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Shooting [set of six]: 5. Snipe Shooting, James Pollard, 1825
aquatint prints in the yale center for british artjames pollard
Retort Courteous or the Disloyal Address returned without Ceremony, Richard Newton, 1797
etchings in the yale center for british artrichard newton
Shooting [a pair]: 2. Evening of the First of September, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Sir Cecil's Budget for Paying the National Debt, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
Gloria Mundi, or The Devil Addressing the Sun, James Gillray, circa 1782
etchings in the yale center for british artjames gillray
Divertions of Purley, Or Opposition Attending Their Private Affairs, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Cooling the Brain - or - The Little Major, Shaving the Shaver, James Gillray, 1789
etchings in the yale center for british artjames gillray
The Damnation of Obadiah, Henry Bunbury, between 1773 and 1817
etchings in the yale center for british arthenry william bunbury
Plan of Mud Island, off the Kingdom of Corsica, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Newbus Ox, William Ward, 1812
mezzotint prints in the yale center for british artworks by william ward (engraver)
View of the Worcester Race-Course and Grand Stand, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
The Bank of England and Royal Exchange, Cornhill, Henry Wallis, 1840
engravings in the yale center for british artpre-raphaelite brotherhood
French - Telegraph Making Signals in the Dark, James Gillray, 1795
aquatint prints in the yale center for british artjames gillray
Rear View of a Man Caricaturing the Current Costume Fashion, James Gillray, 1802
etchings in the yale center for british artjames gillray
Hog Hunting: The Find, Samuel William Fores, circa 1840
aquatint prints in the yale center for british artsamuel william fores
Shooting [set of six]: 3. Grouse Shooting, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
St. Giles. Winner of the Derby Stakes at Epsom, 1832, Edward Duncan
aquatint prints in the yale center for british artedward duncan
Johnny in a Flatting Mill, George Murgatroyd Woodward, 1796
etchings in the yale center for british artgeorge moutard woodward
A set of four - Shooting: Plate I. Going out, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Fox Hunting: Leicestershire - The Death, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
All of One Mind or a Mutual Agreement amongst Traveller, Richard Newton, 1794
etchings in the yale center for british artrichard newton
Fox-Hunting [set of six]: 5. The Return, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century, Thomas Rowlandson, 1801
etchings in the yale center for british artromanticism
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
The Throne in Danger, William Heath, circa 1828
etchings in the yale center for british artwilliam heath (artist)
English Patriots Bowing at the Shrine of Despotism, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
A Brighton Breakfast or Morning Comforts, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from Caricatures Parisiennes, Aaron Martinet, circa 1815
19th-century unidentified artists in franceaaron martinet
Portrait of Christian VII of Denmark (1749-1808), Jens Juel
portrait paintings by jens juel (danish royalty)male portrait paintings by jens juel
Extraordinary Express Across the Atlantic – Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846, Nathaniel Currier
prints in the metropolitan museum of artnathaniel currier
Hand scroll “Selected pleasures for hours of leisure”, detail: The rising moon, 1555-1610
sun k'o-hungnguyễn lords
Mieido Ougiya map, Utagawa Toyokuni I, circa 1785–93
utagawa school,ukiyo-eutagawa toyokuni
St. Augustine's Gate, Canterbury, Valentine Green, 1779
aquatint prints in the yale center for british artvalentine green
Blood on Thunder Fording the Red Sea, James Gillray, 1788
etchings in the yale center for british artjames gillray
Thurust, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Ceres, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
The School-Boy, Henry Thomas Alken, 1824
etchings in the yale center for british arthenry thomas alken
His Majesty's Ship Britannia Returning to Port, Louis Haghe, circa 1840
lithograph prints in the yale center for british artlouis haghe
Fitting out. - Plate 1, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Wasferman, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
A Scene in the New Farce - as Performed at the Royalty Theatre!, George Cruikshank, 1821
etchings in the yale center for british artetchings by george cruikshank
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
A View of the Earl of Radnor's House at Twickenham, Anthony Walker
engravings in the yale center for british artanthony walker (artist)
Domestic Happiness, William Ward, 1787
mezzotint prints in the yale center for british artworks by william ward (engraver)
Cockney-Sportsmen Shooting-Flying, James Gillray, 1800
etchings in the yale center for british artjames gillray
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
Youth Diverting Age, George Morland, 1789
mezzotint prints in the yale center for british artpaintings by george morland
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
The Farmer's Stable, George Morland, 1792
mezzotint prints in the yale center for british artpaintings by george morland
The Horse Guards &c. from St. James s Park, Thomas Shotter Boys, 1842
prints in the metropolitan museum of artthomas shotter boys
[Shooting] Enamour'd Sportsman, John Raphael Smith, 1801
mezzotint prints in the yale center for british artjohn raphael smith
A Catamaran, or an Old Maid's Nursery, Thomas Rowlandson, 1 March 1811
spinsters in artromanticism
Rum Characters in a Shrubbery, Thomas Rowlandson, 1 November 1808
satirical art worksromanticism
Belshazzar's Feast, John Martin, 1826
prints in the national gallery of art (washington, d.c.)romanticism
Belagerung Stralsunds durch Wallenstein 3, Frans Hogenberg, after 1628
engravings by frans hogenbergsiege of stralsund (1628)
Hog Hunting: The Burst, Samuel William Fores, circa 1840
aquatint prints in the yale center for british artsamuel william fores
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
A Panic on Both Side or Great Men in the Horrors, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A Right Honorable (sic) Alias a sans Culotte, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Visit to the Irish Pig!... With Reflections Physical & Moral, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Two Durham Oxen, Charles Turner, 1828
mezzotint prints in the yale center for british artcharles turner (engraver)
Taking Physick; - or - The News of Shooting the King of Sweden!, James Gillray, 1792
etchings in the yale center for british artjames gillray
Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825, Edward Duncan
aquatint prints in the yale center for british artedward duncan
The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
Shooting [a pair]: 1. Morning of the first of September, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
The National Assembly Petrified _________/The National Assembly Revivified, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Libertine Reclaim'd or John Bull Bullied, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Catholic College of Stonyhurst Lancashire, Samuel Middiman, circa 1830
engravings in the yale center for british artsamuel middiman
How to Avoid the Horse Duty, John Colley Nixon, 1791
etchings in the yale center for british artjohn nixon
The Child and Champion of Jacobinism, New Christened, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris, James Gillray, 1796
etchings in the yale center for british artjames gillray
Billy's Fantoccini or John Bull over Curious, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
Marybone Manor House in the Time of Queen Elizabeth, John Thomas Smith, 1807
aquatint prints in the yale center for british artjohn thomas smith (1766-1833)
The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Shooting [set of six]: 6. Packing up, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Treasury Spectre, or the Head of the Nation in a Queer Situation, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The York Reverence; - or - City - Loyalty Amply Rewarded, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Present State of Liliput or No Tax on Blindmens Dogs, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Sedition, Levelling and Plundering; (rest of title cut off), Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
Miss, I Have a Monstrous Crow to Pluck with You!, James Gillray, 1794
etchings in the yale center for british artjames gillray
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Coaching: North-Country Mails at the Peacock, Islington, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
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